Album Review: Live at Glasshaus by Bilal feat. Questlove, Common, Robert Glasper, Burniss Travis
As part of Black Music Month, Bilal's live album gets an official release as it was recorded and filmed at his show at Glasshaus in Brooklyn on December 2, 2023, for a studio audience of 100 guests.
Bilal never fit neatly into the mold of the ‘60s and ‘70s soul homage, and it wasn’t merely due to his distinct voice, which was classically trained and versatile enough for opera in seven languages. Though echoes of past influences could be heard, his work was distinctly modern and grew more inventive. Bilal’s unique approach eventually caused him to part ways with a major label, leading to years without solo releases. His dedicated fanbase and supportive peers kept his career alive. Thanks to independent labels valuing his creative freedom, Bilal found the space to flourish.
With June being Black Music Month, it’s already looking like an exciting time for R&B fans. One of the eagerly awaited releases that arrived is Live at Glasshaus, which marks the first live album from the respected artist. You’re reading this and asking, “Why are they reviewing a live album?” We’re here for anything this artist puts out, as it’s been almost a decade since his last full-length record. Fans had already been buzzing thanks to the leading single from this album, a live version of “Something to Hold” and “All for Love” from his shelved second album, Love for Sale.
While the live version of “Something to Hold” took some creative liberties, this rendition of “All for Love” stays faithful to the original. The captivating piano melody is delivered by Robert Glasper, with Questlove and Burniss Travis providing the rhythm on drums and bass. He starts restrained but gradually elevates his performance just as the song reaches a solo section from Glasper. The pianist demonstrates his skill, even weaving in a bit of Miles Davis’ Milestones. Bilal then retakes the mic, delivering a dynamic and expressive finale. His use of growls, squeals, and other vocal techniques highlights why his live shows are so memorable.
The unreleased song “Levels,” created initially with Adrian Younge, looks at love and commitment. It questions the depth of a connection, wondering if their love is strong enough to face the challenges of life. There’s a sense of uncertainty about the future, about whether they’re both truly invested or just going through the motions. It's like Bilal is trying to figure out if their relationship can really work or if it's destined to fail. The song has a slow and smooth beat, creating a relaxed and reflective vibe. The instruments blend to make a full, warm sound. It uses a mix of classic soul elements and modern touches.
Bilal’s thoughtful words and well-crafted sound come together to make a listening experience woeful, as it sounds like you’re in a room with him alongside Questlove and Common (he performs “Reminisce,” “Funky for You,” “Sometimes,” and “Humility” with him), providing their interludes while they discuss his unprecedented talent. His voice has this raw honesty that fits perfectly with the music, making you feel every bit of doubt and hope in every song he performs.
Standout (★★★★½)