The Dual Nature of Vince Staples' FM! Explored
Uncover the real Long Beach through Vince Staples' third studio album, FM!
By dropping a surprise third studio effort on November 2, 2018, FM! offers a complex depiction of Vince Staples’ life in Long Beach, California, that goes beyond the clichés often associated with West Coast living. While the album revels in its California roots, it also critiques the darker aspects beneath the sunny façade. Staples’ dark humor and candid observations are essential elements that give the work its unique flavor, allowing him to paint a nuanced picture of his environment.
Staples’ connection to his hometown of Long Beach is evident throughout this album. He successfully transports listeners to a California where summer seems endless, but he doesn’t shy away from the less glamorous aspects. Through tracks like “Outside!” and “Don’t Get Chipped,” Staples deconstructs the idyllic perception of West Coast summers. He blends catchy, upbeat melodies with lyrics that speak to the violence and struggle that coexist with the sunny weather and beaches. By doing so, he provides an alternative narrative that challenges popular representations of California.
One of the unique aspects of FM! is the incorporation of radio elements. The album is interspersed with interludes that mimic a radio show, complete with interviews and guest appearances from other artists like Tyga and Earl Sweatshirt. These segments fulfill dual purposes. On one hand, they offer a platform for Staples to pay homage to artists he respects. On the other hand, they can be jarring for those who would prefer a seamless listening experience focused solely on Staples. These interludes disrupt the narrative flow, sparking intrigue and potential annoyance in equal measure.
Musically, FM! is heavily influenced by classic G-Funk records, a genre integral to West Coast hip-hop. The production work of Kenny Beats complements Staples’ vision perfectly, using pulsating bass lines and syncopated rhythms to create a soundscape that is deeply rooted in the local culture. The tracks are concise and direct, contributing to the album’s brisk pace. Staples employs this genre not just as a nod to his musical predecessors but also as a means to stake his claim in the ongoing story of California hip-hop.
FM! is an album that Vince Staples crafted for himself, with little regard for commercial expectations. This approach has advantages and disadvantages; while it offers an authentic, localized experience that resonates strongly with those who share or understand Staples’ perspective, it might not have the widespread appeal of more mainstream records. Nevertheless, the album has been received positively for its fearless storytelling and sound, solidifying Staples’ position as a unique voice in modern hip-hop. FM! is a snapshot of Long Beach life and a complex representation of the contradictions that make up Staples’ world.