Wednesday Roundups #33: 12 Albums/EPs You Should Listen to In Your Spare Time
Stream releases from Danny Brown, Terrace Martin & Gallant, Blockhead, Vinnie Paz, Leslie Odom, Jr., Ego Ella May, Colette Lush, Busty and the Bass, Bastards of Soul, and more.
Welcome back to Shatter the Standards!
The thirty-third outing of Wednesday Roundups!
It might be challenging to prioritize your music listening when so much new music isĀ available. Shatter the Standards provides a weekly summary of newsworthy releases on streaming platforms. Danny Brown, Terrace Martin & Gallant, Blockhead, Vinnie Paz, Leslie Odom, Jr., Ego Ella May, Colette Lush, Busty and the Bass, Bastards of Soul, Real Bad Man & YUNGMORPHEUS, TeaMarrr, and Journey Montana were the artists with new albums or projects last week. Watch for weekly music drops every Wednesday for suggestions of lesser-known albums.
Here are your roundups for today!
Danny Brown ā Quaranta (Hip-Hop) [Listen]
Closing out 2023, Danny Brown presents Quaranta, a significant release marking his first solo album in four years. This album departs from the chaotic energy of Marchās SCARING THE HOES with JPEGMAFIA. Quaranta, Italian for āforty,ā symbolizes a pivotal moment in Brownās career, aligning with his age at the time of the albumās conceptualization. He was 40, two years younger than he is now. This release is a nod to his career trajectory, initiated with his 2011 album XXX, released when he turned 30. Quaranta showcases Brownās evolution as an artist with just 11 distinct and robust songs without any unnecessary tracks. Unlike his previous works, this album exhibits a consistent mood across all songs. Despite this consistency, each track is unique, ensuring the album always feels varied. The individuality of each song contributes to the albumās overall depth, demonstrating Brownās refined focus and artistic growth.
Terrace Martin & Gallant ā sneek (R&B/Jazz) [Listen]
In āpartnership with āGallant, Terrace Martin has just āunveiled their ālatest collaborative effort, āthe album āsneek. A joint āendeavor with Lowly āand Create āMusic Group showcases Martinās evolving āartistic direction. āAhead of the āalbumās release, āthe duo whetted āaudiencesā appetites āwith the single āā311!ā, a ājazz-inspired composition that āsaw contributions āfrom notable musicians āRobert Glasper āand Keyon Harrold. āsneek is āa collection of ānine tracks, āeach distinct in āits vibrant ātonal and harmonic ādiversity. Each āsong stands out āfor its āunique blend of āsounds and āstyles, reflecting the ācollaborative chemistry of Martin and āGallant. This āalbum ārepresents a ānew chapter for āMartinās OāConnor ālabel and āunderscores the ācreative chemistry between āthe artists āinvolved.
Blockhead ā The Aux (Hip-Hop) [Listen]
Blockhead returned for āhis latest āsolo LP, The āAux. This āpartnership follows Blockheadās āsuccessful 2021 āGarbology project with āAesop Rock. āThe āAux, executive āproduced by āwoods and released āunder his āBackwoodz Studioz label, āis an āambitious project that ābrings together āvarious talents āfrom various generations āand scenes āwithin the indie āand underground ārap sphere. The āalbum, described āby Backwoodz Studioz āas akin āto an āindie āhip-hop All-Star āgame,ā features a āremarkable lineup āof guest artists. āThese include ānotable figures such āas woods āhimself (alongside Armand āHammer), Aesop āRock, Navy Blue, āQuelle Chris, āOpen Mike Eagle, āBruiser Wolf, āAKAI SOLO, Defcee, āShrapKnel, RXK āNephew, Fatboi Sharif, āand more. āNotably, the albumās final track is āa collaboration āfeaturing Bruiser Wolf, āDanny Brown, ābilly woods, and āDespot, highlighting āthe projectās breadth āand depth āin connecting different āfacets of āthe rap world.
Vinnie Paz ā All Are Guests in the House of God (Hip-Hop) [Listen]
Philadelphiaās own Vinnie āPaz, a āmainstay in the āunderground rap āscene, returns to ārelease his āeighth album with āAll Are āGuests in the āHouse of āGod. Vinnie has ābuilt a āreputation for delivering āconsistent quality, āand his latest āwork is āno exception. The āproject reflects āhis unwavering commitment āto craft āas it seamlessly āintegrates elements āof the modern ātrap with āhis signature hardcore āboom-bap sound. āWhile this blend āpays homage āto traditional hip-hop ārhythms, it āalso infuses contemporary āproduction techniques āthat add a āfresh dimension āto his music.
Leslie Odom, Jr. ā When a Crooner Dies (R&B) [Listen]
Leslie Odom has āunveiled When āa Crooner Dies, āhis fifth āfull-length album, featuring āa suite āof 10 original ātracks. This ālatest work is āOdomās first āventure into entirely ānew music āsince 2019. The āalbum, developed āover several years, āis his most āintimate musical āproject. It highlights āhis unique ātalents, particularly his āsmooth and āinstantly recognizable vocal āstyle. These ānewly penned songs ā āshowcase Odomās artistic āflair and offer a āglimpse into āhis musical career.
Ego Ella May ā Fieldnotes, Pt. III - EP (R&B) [Listen]
The creative trajectory āof Ego āElla May reaches āa new āhigh with the ārelease of āFieldnotes, Pt. III, āthe final āinstallment in her ātrilogy of āEPs that have ācaptivated fans āwith their diaristic āintimacy and āneo-soul rhythms. Initiated āduring the ālockdown period, this āproject by āthe soulful songstress āhas evolved, āshowcasing an ever-expanding āmusical landscape. āFieldnotes, Pt. III culminates the series and āintroduces fresh voices āinto the āsonic world Ego āElla May āhas crafted. With āthis latest āoffering, she completes āa personal āand musical journey āthat began āas a sparse āand introspective āendeavor and now āstands complete, āreflecting her growth āand exploration āthrough sound.
Colette Lush ā Ginger in Paris (R&B) [Listen]
Colette Lush releases another short project with Ginger in Paris. According to her Instagram post, she thanks her āsituationships and long-term relationships that inspire the love and heartbreak songs.ā Itās seven tracks long, and John Lindahl produces it.
Busty and the Bass ā Forever Never Cares (Soul) [Listen]
The collective known āas Busty āand the Bass, āwhich traces āback āto McGill āUniversity in Montreal, āhas been āsynonymous with collaborative āmusical ventures āsince their inception āover ten āyears ago. Now āspread across āfour cities in āNorth America, āthe ensembleās latest āstudio offering, āForever Never Cares, āserves as āa bridge that āconnects them ādespite the miles āapart. This āalbum encapsulates an āaudio experience āthat echoes a āpast era āwhile simultaneously embodying āthe essence āof contemporary sound. āThe emotional āresonance in Alistair āBluās voice, āJordan Brownās otherworldly āhigh notes, āKatie Tupperās sultry ātimbre, Son āLittleās soul-stirring vocals, āClerelās melodious ācharm, and Magi āMerlinās exuberant ādelivery all converge āto create āa richly textured āauditory fabric. āThis third studio āalbum from āBusty and the āBass is āan āartifact of ātheir collective spirit āand āa showcase of āhow they āremain musically intertwined ādespite physical ādistances, blending old-school āvibes with āthe new school beats.
Bastards of Soul ā Give It Right Back (Soul) [Listen]
Bastards of Soul āunveils Give āIt Right Back, ātheir third āstudio album and āthe concluding ānarrative in the ābandās saga. āThis release comes āon the āheels of a āpoignant chapter āmarked by the āloss of ātheir charismatic lead āsinger, Chadwick āMurray, in 2021. āAmong the ātracks is āThis āLove,ā a ācomposition from Chadwickās āpen. āWhile fate prevented āhim from ālaying down his āvocals for āthis track, Keite āYoungācelebrated for āhis exquisite rendition āof āLike āa Shipā alongside āLeon Bridgesāoffers āa stirring performance āthat honors āChadwickās memory. Further enriching āthe album, āThe Sha La āDas, known āfor their work āwith Daptone āRecords, lend their āsoulful harmonies āto the mix. āAdding another ālayer of auditory āintrigue, Ghost āFunk Orchestra, associated āwith Colemineās āKarma Chief Records, āinfuse their ādistinctive sound into āthe project. āWith such collaborations, āGive āIt Right Back promises āto be āa fitting tribute āand a ācontinuation of the ārich legacy āleft by Murray.
Real Bad Man & YUNGMORPHEUS ā The Chalice & The Blade (Hip-Hop) [Listen]
In a fresh ātwist on āthe hip-hop scene, āYUNGMORPHEUS has āteamed up with āReal Bad āMan to deliver āThe Chalice āand the Blade, āan album āfeaturing 15 tracks. āThis latest āreleaseĀ āshowcases YUNGMORPHEUSās āunique lyrical skills āand highlights Real Bad Manās production expertise. āThe collaboration ābrings together a ādiverse roster āof talent, including āBoldy James, āBlu, Grip, Kool āKeith, Fatboi āSharif, Theravada, and ādreamcast moe, āeach contributing their ādistinct flair āto the project. āThese guest āartists lend their āvoices across āvarious tracks, enriching āthe albumās ādynamic soundscape.
TeaMarrr ā You Should Prolly Sit Down for This (R&B) [Listen]
A new voice āemerges from āLos Angeles, āwhere TeaMarrr, a āsinger and āsongwriter with roots āin Boston, āunveils her first āfull-length work, āYou Should Prolly āSit Down āfor This. Through Raedio, ālisteners can ānow imbue themselves āin this ārelease, which gives āan intimate āportrayal of her āexperiences. With ā13 tracks to āits credit, āthe album weaves āa narrative ātapestry of her āpersonal evolution āand pivotal life āmoments. The āproject offers a candid āglimpse into TeaMarrrās āprivate sphere. āIt highlights her āartistic development while āproviding audiences āwith an up-close āperspective on āthe emotional landscapes āshe covers. āHer skillful creative āexpression is āprominently featured across āthe album āwith its sincerity and depth.
Journey Montana ā Stargirl (R&B) [Listen]
The R&B scene āhas welcomed āa new entrant āwhose star āis rising. Harlemās āown Journey Montana āhas unveiled āher latest work, āan EP ātitled Stargi, under āthe 10K āProjects banner. Across āeight tracks, āshe weaves narratives āthat reflect āexperiences āof love āand anguish and broader āthemes of personal āgrowth and āempathy. Montanaās sophomore āEP is a window into her artistic identityās core. āThrough her music, āone can ādiscern the makings āof an āartist who skillfully āarticulates lifeās ācomplexities with āraw emotion āand grace. Each ātrack on āStargirl builds upon āthe last, āculminating in an āexperience that ālays bare the āstruggles and ātriumphs inherent to human experience.
Bonus: Coast Contra ā The Old Way (Hip-Hop) [Listen]
The Los Angeles-based āquartet Coast āContra has infused ātheir latest ārelease, āThe Old Way, with ā ānostalgia that ābridges the gap ābetween the āpast and present āin hip-hop āculture. Following their āinitial offering, āApt. 505, this āmixtape stands āas a crafted āhomage to āthe bedrock laid āby hip-hop āpioneers. Itās an āartful blend ādesigned to appeal āto purists āwho cherish the āyesteryearsā unvarnished lyricism while still capturing todayās listenersā attention.
āThe Old Way ātakes its āaudience on a ātime-traveling escapade āto the heyday āof potent ābars and storytelling. āThe mixtape ādemonstrates how the ācore elements āof hip-hop can āevolve yet āretain their original āpotency when ācombined with contemporary āinfluences. This harmonious fusion āwithin āāThe Old Way affirms the āenduring relevance of āclassic hip-hop āsounds and narratives āin modern āmusic.